Production Companies:
Fierce Productions and Bright Studios
Producers:
Sarah Sulick and Rebecca Johnson
HoneyTrap was awarded development funding from the UK Film Council (now BFI). They are now in the process of raising production finance, which includes a CROWDFUNDING CAMPAIGN as well as traditional film finance. Rebecca Johnson is currently in pre-production on her first feature script HoneyTrap with producer Sarah Sulick at Bright Pictures. HoneyTrap received a Development Award from the UK Film Council and aims to shoot in August 2013. Her short TOP GIRL screened at nearly 30 film festivals internationally including Berlin, Clermont‐Ferrand and Los Angeles. TOP GIRL won several prizes and awards and sold to various broadcasters including Canal +. She was featured as one of Screen International’s Stars of Tomorrow 2009 and selected for the UK’s prestigious Guiding Lights programme, under which she was mentored by BOURNE and UNITED 93 director Paul Greengrass. Both Paul and his Oscar‐winning editor Chris Rouse continue to play mentoring roles in her writing and career development.
HoneyTrap introduced a CROWDFUNDING CAMPAIGN in which members of the public fund for the movie to raise the production finance, as well as traditional film finance.
group 5
Sunday, 16 November 2014
HoneyTrap Distribution/Marketing
Distribution
HoneyTrap is being distributed in cinemas and has also been selected for the London Film Festival which runs from 8th to 19th October 2014.
Oct 17, 2014 8:45 PM
Ritzy Cinema, Screen 2
Oct 18, 2014 3:15 PM
Vue West End Cinema, Screen 7
Marketing
HoneyTrap introduced a crowd-funding campaign on a website called 'Indiegogo' to raise funding for the film and also public awareness of the movie to get the movie more known. They've been retweeted by Telegraph and Sight & Sound on Twitter in the Brixton buzz, thanks to the boys at Multitude Media.
HoneyTrap collaborated with several music artists including Russo, Killa P and Skwilla to provide the score and also sourcing more emerging talent as they near production. They will be using the same casting process as as TOP GIRL- searching for new talent via agencies, theatres, schools and community centres and street casting. The director of photography is David Raedeker.
The film is being marketed on different websites to become widely known, these websites include Facebook, Twitter, LinkedIn and Vimeo.
HoneyTrap is being distributed in cinemas and has also been selected for the London Film Festival which runs from 8th to 19th October 2014.
Oct 17, 2014 8:45 PM
Ritzy Cinema, Screen 2
Oct 18, 2014 3:15 PM
Vue West End Cinema, Screen 7
Marketing
HoneyTrap introduced a crowd-funding campaign on a website called 'Indiegogo' to raise funding for the film and also public awareness of the movie to get the movie more known. They've been retweeted by Telegraph and Sight & Sound on Twitter in the Brixton buzz, thanks to the boys at Multitude Media.
HoneyTrap collaborated with several music artists including Russo, Killa P and Skwilla to provide the score and also sourcing more emerging talent as they near production. They will be using the same casting process as as TOP GIRL- searching for new talent via agencies, theatres, schools and community centres and street casting. The director of photography is David Raedeker.
The film is being marketed on different websites to become widely known, these websites include Facebook, Twitter, LinkedIn and Vimeo.
Wednesday, 5 November 2014
HoneyTrap Exhibition
Exhibition
This film was released in October 17th
2014 at the London Film festival by the BFI. It is also released in independent
cinemas as it is for now a restricted release, one of the places in which it is
released is in the Ritzy cinema and Vue cinema in West End. On February 2015
the film will further be released to the rest of the public.
HoneyTrap Marketing/Distribution
Marketing
The target audience is urban 15-25 year olds. As they are more likely to relate to this story, and 25 year old would be looking for critically acclaimed films and that is what Honeytrap is.
First in the marketing they had to start fundraising they did this by …
1) Creating a profile and start developing a fan base
2) Crowd funding promo sent to potential donors and future audiences
Next they had to start creating a buzz for their film …
1) They dedicated film pages on Facebook, twitter and tumblr
2) The cast, soundtrack artists and networks of young people posted content from rehearsals and on-set.
Closer to the release date, they used other ways in which to create a bigger buzz.
1) They targeted film and urban music blogs ad magazines, that focused on young people / women issues and knife crime prevention
2) Linked Top girl with their film to gain followers who watched it.
3) Looked at promotions with blackberry messenger, whatsapp and other free message and networking services used heavily by young people.
Distribution
The distributer for this film was Anchor Bay,
they have also distributed Machine and Spartacus and other films in a wide
range of genres.
Being an independent film means that
getting a distributor is much harder then a big blockbuster film, this is
because they don’t have as much money to put into it so there is no wide release
as of this minute.
Tuesday, 4 November 2014
Honeytrap PDME
PRODUCTION
MARKETING
- Producer - Sarah Sullick
- Sarah Sullick produced Top Girl which Rebecca Johnson liked and therefore decided to collaborate with Sullick on Honeytrap.
- The cast was scouted in community centres, through agencies, and street casting.
- Filmed in Brixton and a lot of the cast was Brixton as Johnson was familiar with the area and the people in South London because she had been working in the area for over 10 years.
- Young people in the area were employed and contributed to the production process of Honeytrap.
- Honeytrap is inspired by a real life case and explores gang culture from a girl's perspective.
- FUNDRAISING - people made donations for the production of he film on Indiegogo
- ADR was used to record the lines of the cast for Honeytrap
- A grant from the BFI was given in order to make the film.
- Dedicated film pages on Facebook, Twitter and Tumblr
- Cast, soundtrack artists and networks of young people post content from rehearsal, on-set etc.
- Continued as the film was sold to distributors
DISRIBUTION
- Independent film makers can contact the distributors and tell them when the film can be distributed.
- Target Audience - Urban adults (25+), who seek out critically well-reviewed films.
- Urban young people (15-25), both sexes, who relate to story and cast and listen to soundtrack artists.
- The film makers targeted urban music blogs and magazines (Grime Daily & RWD) to advertise the film
- Engaged with networks focused on young people/womens’ issues/knife crime prevention
- Looked at possible promotions with WhatsApp, Blackberry Messenger and other free message and networking services used heavily by young people.
Monday, 3 November 2014
Honeytrap Production
Production
With independent films it is all about
networking and mentoring and knowing someone who knows someone is the best way
in which someone is going to get a job. Rebecca Johnson is the director for
Honeytrap, while watching Top girl she had decided that she wanted to work with
whoever produced it and that was Sarah Sulick who became the producer of
Honeytrap. David Raedeker id the director photographer of Honeytrap he was
selected as the same man who had mentored Rebecca mentored him.
The main cast for Honeytrap was Jessica
Sula playing Layla, Lucien Laviscount playing Troy and Ntonga Mwanza playing
Shaun. They found the films cast through multiple agencies, theatres, schools,
community centers and street casting.
The technologies used in the making and
filming of the film is an ADE, which is an Automatic dialogue replacement that
was used to record lines for the additional clarity of the sound, as there are
many planes that fly over Brixton. Sound designs and grading added to the
colour, brightness and saturation.
The filming was done in Brixton as Rebecca
Johnsons had been filming in Brixton for 10 years working with people in the communities.
She feels as though young people have slipped under the radar and wants them to
feel involved in society. During the Filming of HoneyTrap a training and mentoring
programme where young people will work alongside a professional crew.
The film was made mostly of funding, given
to them by donations from the public and companies like the Walcot Foundation.
HONEY TRAP PDME
Production
Rebecca Johnson used networking to get people to contribute to the film.
ADR was used to record lines for the film.
Filmed in Brixton
People were given money to fund the film, this is called crowd sourcing (Indigogo)
The film was given a grant by the British Film Industry (BFI)
Distribution
Distributor: Anchor Bay (Used to Sparctacus & Little Princess)
The film makers can contact the distributor and tell then why the film can be distibuted. (Independent film distribution process)
Marketing
The target audience for the Honey Trap is 'urban adults who seek out critically well reviewed films' and 'urban young people (15-25), both sexes, who relate to story and cast and listen to soundtrack artists', so the marketing used was their plan to attract these audiences.
The film makers targetted film and urban music blogs and magazines for advertisement (Grime Daily & RWD)
Advertisement through social media sites (Twitter, Facebook, Youtube) and also through free online chat services such as Whatsapp or Blackberry Messenger.
Exhibition
Release date : October 17th 2014 (Film Festival)
Will be released on February 2015
Rebecca Johnson nominated for Best British Newcomer
Rebecca Johnson used networking to get people to contribute to the film.
ADR was used to record lines for the film.
Filmed in Brixton
People were given money to fund the film, this is called crowd sourcing (Indigogo)
The film was given a grant by the British Film Industry (BFI)
Distribution
Distributor: Anchor Bay (Used to Sparctacus & Little Princess)
The film makers can contact the distributor and tell then why the film can be distibuted. (Independent film distribution process)
Marketing
The target audience for the Honey Trap is 'urban adults who seek out critically well reviewed films' and 'urban young people (15-25), both sexes, who relate to story and cast and listen to soundtrack artists', so the marketing used was their plan to attract these audiences.
The film makers targetted film and urban music blogs and magazines for advertisement (Grime Daily & RWD)
Advertisement through social media sites (Twitter, Facebook, Youtube) and also through free online chat services such as Whatsapp or Blackberry Messenger.
Exhibition
Release date : October 17th 2014 (Film Festival)
Will be released on February 2015
Rebecca Johnson nominated for Best British Newcomer
Subscribe to:
Posts (Atom)